Allmovie Reviews--"But handsome cinematography isn’t the only thing Negret’s expertly crafted film has going for it; George Richards’ dexterous screenplay toys masterfully with our perceptions in a way that never comes off as muddled or contrived, twin leads Gary andEdmund Entin make their indistinguishable characters unique by instilling them with revealing mannerisms, and imaginative set pieces help to define the characters while drawing us ever deeper into the elegantly aberrant story."(Read more)

Bloody Disgusting (www.bloodydisgusting.com)--Seconds Apart successfully explores the power of perception while maintaining an eerie ambiance created by some unsettling imagery and a string-rich score by Lior Rosner. While Richards’ premise certainly isn’t anything new, the snappy dialogue between the twins and story progression works alongside the stellar performances to make Seconds Apart the most interesting and well-made twin film since Adaptation.  (Read more)
Horror.About--"Seconds Apart is an unusually intelligent horror movie that doesn't spoon feed explanations or the usual genre cliches."(Read more)

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Variety --"...the well acted, crisply designed, shot and edited pic is atmospheric throughout,      making particularly good use of tension-filled silence in several creepy scenes."(Read more)

Ames Tribune Des Moines, Iowa---The creative mind behind the "Husk" house and all the construction mayhem was Hannah Beachler, Production Designer, but that doesn’t mean she felt at ease in the world she developed.  She made it clear: “I won’t go to the upstairs rooms alone.”  As with some other crew members, the house “gave her the creeps.”  According to John Gorman, Construction Coordinator, noises came from certain rooms. The farmer who tilled the land during the years since the house was abandoned added to the rumors.  “I’d look up from the field and see shining eyes and silhouettes in the windows.” Hannah and crew spent long summer days making the once-pristine acreage look like a place zombie scarecrows could prey on innocent visitors.  They re-designed and moved the sagging front porch to the back of the house; they purchased old farm instruments and located a shelled-out 60 year old car; and they turned an upstairs closet into an eerie basement stairwell.   Because of flashbacks in the film, they rigged out the corn crib for two time periods, and like the rest of the sets, the basic pattern included cobwebs, blood, and instruments of torture.

Bloody Disgusting (www.bloddydigusting.com)---This is a fun little horror flick with a great cast, slick cinematography and wonderful production design.

www.horrorcultfilms.com, by Ross Hughes---Husk is a a cut above most Straight to DVD horrors in the production design, it looks good and is well directed by Simmons who may be one to look out for in the future.  

DVDtalk (www.dvdtalk.com) by Cameron McGaughy---The production design work gets ample attention as a standout.

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Disc Review by Gino Sassani, Discreview.com---The blood and gore don’t really jump out at you like many films. The production design is solid. The terminal location [built on a stage] is a lot more effective, actually, than an apartment building.

www.rockshockpop.com, by Mark Tolch---The Production Design can be applauded as well; the airplane and terminal are a maze of effective set pieces and claustrophobic cubbyholes.

www.mantaraypictures.com - by Terry Wickham---QUARANTINE 2: TERMINAL has some first-class production design and cinematography.